We had the chance to speak with MissySue Hanson, a documentary and editorial photojournalist whose work spans generations, capturing the nuances of memory, identity, and human connection. With a career rooted in visual storytelling, she has developed a unique approach that blends observation, technique, and a deep understanding of her subjects.

In this interview, MissySue discusses what first drew her to photography, the evolution of her editing process, and the practices that help her push her work forward. She also reflects on the challenges of long-term storytelling and how she continues to refine her craft.

MissySue, every photographer’s path is shaped by their experiences and inspirations. What initially drew you to photography, and how has your approach developed over time? Were there any defining moments that influenced your creative direction?

I hate to be cliche here, but I don’t ever remember a time where I wasn’t taking photos. Some of my earliest memories were of me taking pictures of mud pies I made in the backyard while in kindergarten and stealing my mom’s Polaroid camera to take random portraits of family members. Though I can say, even then, it was the “awe of it all” that drew me to it. I didn’t fully understand it then and I still don’t, but my love for photography is soul-deep and stirring— an abiding love that leaves me breathless and aching almost. It has always been a love that has never asked me for anything in return.

I would say that my approach over time has developed into something much more brutally honest than I ever imagined. I would say my biggest defining moment was finding an article that detailed an event from my past, a trauma— which in turn, propelled me forward with an idea to compile all of my past work into separate chronicled parts of my traumatic life. It was like a lightning strike and everything changed for me in my approach to photography after that.

Your work has a distinct visual language. How do you approach storytelling through your images, and what emotions or messages do you strive to convey to your audience?

I try to convey my experiences and perspective in my personal projects but its also very important to me that my audience leaves feeling all of their emotions, from their perspectives. I tell the story, in my photographs and also my words since I’m also a writer, but I want to set those things down and say, “Here, take a look at this. How does it make you feel?” Will this project change the way you see this subject? I want the audience to be left with their own interpretations of the themes within my projects that I’ve chosen to highlight.

Every photographer has a relationship with their gear. How do you approach selecting your equipment? Do you have a go-to setup, or do you adapt based on the subject or environment you’re working in?

I’ve never been a “gear-head” type of photographer. Unless we’re talking about my Kalimar K-90 from 1996 or film, I’m honestly not too selective with gear. I do prefer to shoot with a Canon, but will always adapt to my subject and environment, especially if I’m on assignment.

Editing is an essential part of modern photography. How do you approach post-processing, and what techniques do you use to bring out the essence of your images? Are there any particular tools or workflows you prefer?

I like to edit as close to emulating film as I can. I now use mostly Lightroom and have developed a flow that suits my images. I like a low-contrast, low-highlight, slightly underexposed image and will do what I can to achieve that look in post-processing so that I can make up for any failures I may have had while shooting.

Creativity is an ongoing journey. How do you stay inspired and continue to challenge yourself artistically? Are there any specific habits or practices that help you push your work forward?

I stay inspired by immersing myself in work that is inspiring to me. Gordon Parks has been my biggest inspiration and I own several of his books so if I’m feeling in need of inspiration, I’ll re-read his books and peruse his work. His life story helps me find the strength and bravery to create work that truly moves me. My most specific habit is visualization and planning. Both of those things have helped me stay on course with work that fulfills me and the goals I have for my future in photography.

Critique has always been a part of artistic growth. How do you view the role of feedback in today’s photography landscape, and how has constructive criticism impacted your own work?

Constructive criticism is a very important part of today’s photography landscape, especially in social media and in today’s world where you can so easily share your work, but I don’t believe in always listening to it. Professional advice is important to take into consideration, but you have to find a balance and the value of your own opinion is important to cling to. Half the world’s most impactful and beautiful work would have never been shot had the photographers listened to “critique”. I tend to let my heart lead my work and I don’t see that changing.

Looking ahead, are there any projects, locations, or concepts that you’re excited to pursue? What aspects of these ideas push you creatively or personally?

I have several project and editorial ideas that I’m particularly excited about. These projects have been so exciting to pursue because I’m pushing myself more out of my bubble and into a broader range of professional work.

For those looking to make a mark in photography, what advice would you give? What do you believe is most important for emerging photographers to focus on as they refine their craft and navigate the industry?

My biggest piece of advice is to never stop photographing. Ever. Giving up on yourself will only delay your success and your happiness. My next piece of advice is to take yourself and your work seriously. You don’t need a diploma or any other accolades to be an amazing photographer and your confidence can be a defining aspect of your work. Believe in your work and others will too.

Photography has the power to inspire, inform, and evoke emotion. What do you ultimately want people to feel or take away when they view your work? Is there a deeper message or perspective you hope to share through your images?

Everything in my work involves a deeper message. I highlight themes or stories and the viewer is left to dig through their personal connections and their own interpretations of the work, no matter what those interpretations are. Each viewer may be impacted in a very different way than the next. I strive for empathy and connection in my work and I’m a believer in perspectives having the power to change lives and approaches to certain subject matter.

 Website: www.missysuehanson.com

Instagram: www.instagram.com/missysuephotojournalist

Image Credits
MissySue Hanson

Have a question for MissySue or want to share your thoughts? Drop a comment below!

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